Q & A: Friday 9/22, 2PM Eastern - Jon Rose, Artist and Spafford Print Maker
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Has you technique changed over the years? Be it carving material, to pressing mechanism?
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- How many projects do you think you have done total?
- Have there ever been any projects you've worked on that were disastrous?
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What is your favorite print, Spafford or otherwise, than you have produced, and what is your favorite Spafford print by someone else?
Who is your favorite artist?
How has your process changed since you first began printing?
If you could have one current artist do a Spafford print, who would you want it to be?
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Hey friends!
Nice to see some questions already!
Looking forward to getting into the nitty gritty
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How did you get started with Spafford?
What was the first woodblock print you made?
You're mentioned on Live Vol. 1, how does that feel?
Other than Windmill, what is your favorite Spafford song?
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If you could have one musician sit in with Spafford, who would it be and on what song?
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Bands like the Grateful Dead and Phish are known for their iconic images. What iconography/aesthetic do you associate with Spafford?
Buy The Ticket, Take The Ride - HST
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Who would you consider to be your biggest influencers?
When you aren't creating art prints, what other ways do you express your creativity?
Are you surprised by the rapid growth in popularity of Spafford? And where do you see them in 5 years?
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Do you prefer making art or gig prints? Which do you prefer collecting?
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Good morning or afternoon!
Sitting down with a cup of coffee and gettin to it -
@damian said in Q & A: Friday 9/22, 2PM Eastern - Jon Rose, Artist and Spafford Print Maker:Why does Colorado get the BEST prints???
It is such a beautiful state, rivaling Arizona even
I could never run out of inspiration with those views! -
I bought the CID package for NYE. Can I get a number 8?
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@Cody-Soule
How did you get started doing these types of prints?
Back in 2007-08 I got really interested in posters and specific artists. It took about a year or so of really educating myself on the different methods of production until i cam across a video of Jim Pollock printing at the Great Went. He said something to the effect of "what i like about linoleum printing is i can come up with an image and reproduce it in-house without relying on printers to do it" That stuck with me and i decided to give it a try. My very first print is a little 3 block lino print called "Everyone Wins". I thoroughly documented the process for a poster message board i was a part of so i actually have pictures.
here's the very first cut i ever made
and the print
What was the first Spafford poster that you made, and how did that come to fruition?
That was this one: http://www.expressobeans.com/public/detail.php/206710Long story short, Chuck had been asking me to come see Spafford and things finally lined up. It was midway through the first set during Windmill that I realized these guys had something
I wanted to help, after the show I told them i was making posters for their upcoming tour. All i asked was for them to cover cost of materials and if they did well we'd do it again and figure it out from there.What is your favorite Spafford print that you have done?
Super tough choice, super tough.
It might be the closing of the Sail Inn for a lot of reasons.What is your favorite Spafford song?
Gun to my head, Windmill.
Though Simon and Lily, Slip and Squander, and Hollywood have been in heavy rotation in my mind lately. -
and bear with me folks, i tend to be verbose and i type slowly
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@Jon-Rose take your time and be verbose. We're here to pick your brain and get a window into your experience and creative process. I doubt anybody is thinking "He's going too slow..." Your answer to @Cody-Soule is outstanding!
THANK YOU for doing this!
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@Jon-Rose hurry up
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@Jon-Rose beer with you? Great plan! Does Heineken deliver to the court complex in Newark?
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That first poster is Darkly beautiful!
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@Johnny-Love said in Q & A: Friday 9/22, 2PM Eastern - Jon Rose, Artist and Spafford Print Maker:
If possible to describe, What does your process for coming up with the idea for a poster look like?
from cooking up the idea to final delivery, approx how many hours of love and labor go into each poster run?Thanks for all the amazing artwork!
If possible to describe, What does your process for coming up with the idea for a poster look like?
Oh man, it can come from anywhere. Typically i like to think about the city they are playing in or a specific song that i've been listening to lately. I definitely have a long list of ideas that come to me on a day to day basis (always keep a notebook and pencil handy!)
Mostly i just try to tune into the overall vibe as it relates to Spafford & the music at that particular time.
Sometimes it's instant, sometimes i stew on an idea for years (see: bluebird print)from cooking up the idea to final delivery, approx how many hours of love and labor go into each poster run?
speaking of the bluebird print
sometimes it takes years. I had been wanting to do something like that ever since the first april fools gig i saw. during the west coast winter tour i finally asked the band if they were ok with me misspelling the name on the poster, they liked it and definitely had some input.mostly, it depends on the number of colors and detail of the work. Some have taken me weeks of working 3-4 hours a day, others got the idea the morning of and cranked it out (see: the 8/8 windmill print)
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@Ian-Quinn said in Q & A: Friday 9/22, 2PM Eastern - Jon Rose, Artist and Spafford Print Maker:
Has you technique changed over the years? Be it carving material, to pressing mechanism?the first print i made was using 3 blocks, i had so much trouble with registration (lining the layers up perfectly) that i decided that reduction/suicide cut would be better suited to me. So pretty much right off the bat i was making mistakes and learning from them.
the basic technique has stayed the same in that regard, but different materials, better tools and more refined designs have resulted in less 'mistakes'. though there is one mistake in every print, always.I just recently purchased a Vandercook Universal III to replace my 12" etching press, which replaced the top of a glass candle jar. Thinking back to how i would use that round piece of glass to print editions of 100 with 7 colors makes my back scream at me.
The vandercook has completely changed my life, it opens up so many possibilities. In fact I just received my first photopolymer plate that i'll be using on the fall tour poster. Thats certainly a first.
Thats what i'm most looking forward to actually, pulling in more traditional and experimental letterpress techniques into my prints. So many possibilities.
