A newbies maiden voyage on the S.S. Spafford:
Nestled in the middle of a block downtown amid other bars/restaurants and shops on one of the main avenues that carry traffic though the area surrounding Indiana University sat The Bluebird Nightclub. Spafford’s new tour bus proudly parked in front and the throwback marquee let us know we were in the right spot. This was my first show at The Bluebird and first time seeing Spafford (or the opener Hayley Jane & the Primates). It was also the first time either band played live in Indiana. This night full of firsts, the entire experience, couldn’t have impressed this new Spaffnerd more.
The iconic Bluebird has been a staple of Indiana University for more than 40 years and gives you that comfy feel of a chill local hangout.The stage sat a few feet high off the dance floor and “front row” was there for the taking right at it’s edge – no rail hugging necessary. The walls were flanked with large framed photos of musicians and posters of bands that had visited and called the stage home for the night.
Before the show my boyfriend spotted Red outside the venue and struck up a quick conversation. Red seemed genuinely interested and grateful that we had traveled four hours from a neighboring state to see them. He raved about the Hayley Jane and the Primates and let us know we shouldn’t miss them. Red couldn’t have been more right. Haley Jane and the Primates brought a soulful, fun vibe to fill the rooms and prep the early crowd. There was a definite deep soul to their sound with some songs feeling a bit of a rasta-reggae root, including a mashup of Coconut>New Speedway Boogie>Coconut that was a perfect fit together and the band made their own! Even though the crowd asked for more as they finished their set, they graciously made way for the Spafford crew to ready the equipment.
Fans started to claim their spots with room to move and groove as it came close to show's start. Casting off with those waiting for them to take the stage in tow, Jordan set the course with the opening bass line. The whole band then jumped All In as others wanting to embark on this trip still flowed in the doors. Jordan grabbed the vocal lead to continue the evening’s voyage with attendees swaying and wading in the tunes with what felt like a fairly mellow start of the song. As the chorus started, “One look was all it took” to know this crowd was down for the ride. Once through the lyrics, the energy in the room shifted as the boys made way for this long opening arrangement and it was apparent that everyone was ready to dive deep in the jams and get lost riding in the waves. After a few minutes of delving in and out of different grooves, Red and Brian entertained with a swashbuckling back and forth answering each other’s playful string and key frolicking. The following 10 minutes or so gave a taste of what was in store capped off with Brian shredding the last few minutes of a nearly 18 minute show opener like a surge breaking on a rocky shoreline.
With just a slight meddle of sounds giving the impression they were going to come to a full halt, Brian broke directly into the next song with another fearless guitar riff to begin All My Friends, to taper into a short respite from the crashing jams. Tight and funky, it was the shortest song of the night that had Red shining for a bit on keys before letting it crest into a killer intro to Bee Jam and laying into its sticky sweetness thick and heavy. Everything you could ask for was in this one... From mind-bending rock outs , smooth-melting funkalicious flows, back to heavy rockin’ slams spinning into crowd-lovin’ energetic funktastical spurts then buildups that kept climbing and space-outs that made you think you were in a wormhole… they let the currents carry this jam around.
As they were floating from one Spafford original to the next, flowing between bouncy, “shake a leg”, funk-filled whirlpools that whisked you out into some uncharted dips and then threw you head first into energizing guitar shredding, Brian, Cameron, Jordan and Red were playing as one and this connectedness continued through the entire first set making a seamless span of tunes to drift along with.
It seemed the crowd was on the same wavelength as the boys had everyone moving to a beat and sound reminiscent of Scarlet Begonias (I almost thought it was a spaffed-up version, being a new s’nerd and all), as Mind's Unchained got under way. As they splashed around into a bit of improv time, the crowd came out drenched and loving every minute of it. This was the perfect bridge to lead between the hurricane that Bee Jam had stirred up to the more reeled-in playing that came after Mind's Unchained.
A slower, smooth lead in to Simon and Lily was up next, which showcased some tremendous guitar by Brian, and amazing support by Red, Jordan and Cam as their meandering treated the crowd to an extended exploration of S&L. Everyone near us seemed engulfed in these long instrumental trips the band kept gifting us, showcasing Spafford’s many facets. The end came for the first leg of this endeavor, washing the crowd out of the water and onto Levilan Shores which was like landing on a secret island. This was only the third time this had been heard live. They kept the lid on this treasure locked for the night, but I can see some definite room for it to open up in years to come. The ending of the song made you feel like you were sitting under a palm tree and watching the water tickle the sand at your toes.
The set break gave everyone just enough time to meander, check out the merch, which included the 2nd Fall tour poster by Jon Rose, grab a cold drink or a smoke with company outside the venue and bask in awe of the first set.
The second set was clearly about to get underway and more folks tried to jump aboard on the floor close to the stage. The distinctive start to Windmill gave a great push off to begin the second set as Cameron and Jordan hoisted the sails. Likely expecting the song to be over, there was much love shown from many attendees between the versed portion and the shredding that ensued which came in dark and strong like a thunderous night storm. This was already a song that I really liked, and I remember my boyfriend leaning in to tell me, “Now I see why you like that one."
The segmented layout of the room and open truss rafters and compact ceiling area near the stage made little room for much play with light effects. It looked like they had to be rigged low and almost directly behind the stage. From certain vantage points you could space out and wander with the sounds when you caught the designs dancing overhead like a school of fish in the ripples. Adding to the rooms ambience, was the misty smoke of the fog machine often hitting the light beams just right to throw a few swirls in the beams weaving behind the band, which had the audience hooked while they watched them navigate the waters of each song's delivery.
With no slacking from any of them as every single song all night was all hands on deck, the guitar and bass had seemed to carry much of the weight in the first set and gave everyone a full taste of what Jordan and Brian could do, but the second set definitely had moments where Red was in his element - in a few of the songs it was as if the wind was in his sails and fueling him along. Cameron kept the bearing throughout this excursion and showed he no doubt had his sea legs about him, and had I not known I would have never guessed he was so new to this crew. As the night crept on, Spafford continued to submerge us into the boundless deep, with this willing crowd aboard.
Walls made a splash that got the whole crowd soaked in the grooving dips and bobbing heads were everywhere. Using the stars as their guide this one was spacy and couldn’t have been more welcomed. First time hearing this live, I see why it has been raved on from other shows. As the final brick fell deep into the abyss a cohesive flow carried on as Red continued into the headwind with People. The Red Tide made it’s first Indiana appearance through a stirring solo that had every eye and ear locked in awe as he washed over everything in his wake and with no doubt killed it!
The Reprise brought the funk in with Jordan and a sick bass leading the way into a crazy storm of all four guys treading the swells together through an off-the-chart, wild ride. At a few points I could’ve sworn that a fifth person joined them and was playing a horn somewhere on that stage. I know there wasn’t and I am not sure where that was manifesting from (I am guessing Red or Brian) but it was tight the few times I heard it!
They proceeded on the quest and headed back to the calmer waters to slow it down a bit again before heading right back into the squall. At the close of The Reprise we were spit out directly into an obvious fan favorite. Audience participation crested with a good portion of the room knowing the words to sing along in parts (and others trying their best) as the high tide rolled in with Galisteo Way. It was like hearing a timeless shanty that everyone knew, except this crowd was here to kill it, so it was an overly exuberant chant, which the band fed off as they immersed into a ska-inspired rastafied spot where you could imagine Red’s synth sounding like steel drums. The rest of this one had the guys coasting in a mellow sea before docking back to close out the song. As the last call out of “Galisteo Way” was made with the crowd yelling in unison, this easily could’ve ended the second set with no complaints from the crowd, but there was a bit more in store to explore with these guys at the helm.
Like visiting ports in different countries, the song selection for the night gave a varied taste of what this band was capable of and also an insight into the influences that helped bring their sound to life. If it wasn’t already apparent that these guys could play just about any style and nail it, their last song of this set blew any doubts out of the water. The bluesy, soul-stirring delivery of Shake You Loose kept everyone on the floor and toned the vibe down just enough for what the encore had in store.
There wasn’t much room between the second set’s end and when the band came back to their posts for the final leg of the journey. After two sets of complete originals, Spafford threw their own songbook overboard as they launched into the realm of covers with a well-received first to kick it off. Red brought in the encore with the vocals to My Sisters and Brothers, a song best recognized as a Jerry Garcia Band favorite. Without straying much from the familiar for the delivery of this classic, they were still successful in putting their mark on it. After getting the taste for some Jerry Garcia from Haley Jane and the Primates and knowing that stuff from his repertoire sneaks into the Spafford sets on occasion, I was happy as a clam to hear this cover and get to witness the first time they played it. Spafford laid the groundwork for this cover to only get better in their hands and the lyrics seem to be timely and so well fitting for what music should do… bring people together. Although I am newer to this band and its loving community of fans… it really shows that this is something Spafford has an amazing grasp of, and in my opinion – as the Spaffnerd.com site and community that supports them help prove – they do quite well.
The evening’s last treat was bringing Hayley Jane out to flourish the vocals a bit for the final song. Red intro’d with a solo on the keys leading into a reggae island vibe rendition of I Shall Be Released. This was a perfect fit to follow My Brothers and Sisters, but also to give the opportunity to collaborate with Hayley Jane. She was like a siren, entrancing and impressive as she jumped right in and delivered the second verse and gave a well-balanced harmony during the chorus lines, which seemed to have everyone joining in to flesh it out. The guys had it locked on this song which had already made a Fall Tour appearance and clearly welcomed Hayley Jane to do her thing as she belted out the final verse and nailed it to close the show.
It was pure enjoyment both for the band and those that had sailed the show with them and both encore covers had the audience taking it all in, singing along, and spreading the love, which didn’t stop at the songs end. I would suggest to any newbies to Spafford looking to tick them off their must-see list to not only do it without hesitation (buy the ticket already!)… but to also do a bit of exploring and check out some of the extensive songs and shows available online. I could have listened to more in the last few months but I did take a solid few days of checking out tracks everyone was hyping up that they most enjoyed on other fall tour stops. Taking in some of the more top-played tunes was just enough for me to feel well-versed in the sea of that sweet Spafford style. Even though I didn’t know the name of every song or jam, couldn’t tell you the lyrics to much at all yet and some of what they played I am sure I hadn’t even heard yet – I was sold. Having even just a slight familiarity to a handful of the songs they played and taking every drop of enthusiasm from the band and what they stirred up in everyone there, this night gave me that realization that I really did “get it” with these guys… when I had already thought I got it.
We are delighted to have the opportunity to give away 2 free tickets to Spafford's Halloween show in New Orleans: https://spaffnerds.com/shows/2017-10-31
The first person to respond here will have 2 tickets with their name on them at will call! It goes without saying that you must actually be planning to go to the show to recieve these.
Wednesday, October 11th, marked the first time Spafford played the State Theatre, a former movie theatre located in State College, PA, home of Penn State. This was my 9th and final show of the year and I was eagerly looking forward to it as I made my way up the scenic US-22, which has some really great views of the Susquehanna River this time of year.
And you get to see this, because why not put a replica of the Statue of Liberty in the middle of the Susquehanna river:
After checking into my hotel room, I made my way over to the venue, which is located as close to the Penn State campus as possible while still being off-campus. This was my first time at the venue and I spent some time looking around before I went into the show. From the popcorn machine at the concession stand to the cinema-esque ticket checkers, the State Theatre had a very cool, old-timey feel to it, and I was very excited to see my first Spafford show that wasn’t in a bar or club.
I made my way into the theatre and walked into the second half of Hayley Jane and the Primates set. I had never seen them before and had only listened to a little bit of their music before the show, but I was definitely impressed by their performance. After their set, I made my way up to the stage and talked to some of the other people patiently, but eagerly, waiting for the concert to begin. There seemed to be an even mix of first timers and people who had seen the band at least once before. I also encountered multiple people who had seen more than one show on this tour alone.
The band came onto the stage at 9:30 and opened up with what was in my opinion the best segment of the night, a 27 minute It’s A Bunch > Backdoor Funk, which contained some very patient and smooth jamming. Less than halfway through It’s A Bunch, Jordan began to experience technical difficulties which seemed to be related to one his cables and he was forced to play plugged directly into his amp until Backdoor Funk was finished. If the malfunction affected his playing it seemed to do it positively as he was probably the MVP of the jam even without any of his effects.
After replacing what seemed to be the problem cable, the band went into what is probably my favorite ballad of theirs, Diana. This was only the 20th time the song had been played. After wrapping up a standard but solid version of it, Jordan’s pedalboard was removed from the stage entirely as he had experienced more issues during Diana and played the rest of the first set effect-less. Virtual Bean Dip was up next, and was the other jam highlight of the night. They finished up the set with a short, but high-energy rendition of The Remedy that sent us into set break very happy and curious what they had in store for the second set.
Jordan without his pedals and Brian without Raven
The second set opener, You Don’t Know How It Feels, was a welcome surprise to me as I had assumed most of the songs played during the 2017-10-03 encore in honor of Tom Petty’s passing would be one-offs, but two of the three have made a second appearance and hopefully will remain in the band’s rotation. The band then launched into a good but standard version of Todd’s Tots and Slip and Squander before ending the set with Mad World and Electric Taco Stand. Mad World is one of my favorite Spafford covers because it’s a great example of how they completely transform a song into their own. Unless you already knew the Spafford version, you would have no idea what they were about to play until the lyrics started. Played less than 20 times total since its debut in 2013, Mad World has fortunately made its way back into somewhat steady rotation after being only played twice in 2016. This high-energy version was a good warm-up for the set closer and highlight of the second half of the show: Electric Taco Stand.
I have been fortunate to hear four different versions of ETS, which is awesome since it's one of my favorite songs and the one I usually play when first introducing people to the band. This particular version continued the musical theme introduced during Mad World with a jam that has a very discho-ish/jamtronica sound. Although only clocking in at 11 minutes the band covers a relatively large amount of territory in that time span, with some of my favorite playing of the night from Cam starting around 6:00 minutes or so. The band ended their performance with Plans, one of their more unique songs that always leaves everyone smiling. Although it wasn’t the additional set that was chanted for after ETS, it was a great way to end the show and set us out to the mild October night.
Even though the show was short compared to most of the other ones I had seen them play, it still contained everything that I want at a show and that made me a fan of the band in the first place. 2017 has been one of the most, if not the most important year in the band’s existence and the way they grown both musically and in popularity bodes very well for their future. I personally can’t wait to see how they finish up the year and to see what they have in store 2018.
The morning found us at a rest stop somewhere in Massachusetts on the way to Albany, NY from Portland, ME. We had an amazing time at the Portland show the night before. We met a bunch of awesome people and I got to hear the Lonely I'd been dying for! We had driven eight hours from Rochester, NY to Portland, ME so after the show we decided to head back down the highway toward NY and stop whenever we got tired. My hometown is close to Albany so this was essentially a hometown show for Delaney, Kyle and I, as well as the last northeast date of the Fall Tour. Kyle had been following the band ever since the Ithaca show, so it was great to meet up with him in Portland and bring it back home for the grand finale. After refueling at my parents' house, eating some pizza and taking a nap, it was showtime before we knew it!
The written location of the venue is deceiving, I'm sure you're thinking it's some club in the middle of the city, right? Exactly opposite. The venue is actually in Crossgates Mall, inside of an adult arcade that also has a bowling alley, arcade games, a bar and a restaurant. We met up with Kyle and his parents in the parking lot before the show (they are deadheads and had a great time at the show BTW!) We don't return home that often and get to see Kyle's parents even less, so it was a nice little reunion to start off a great night!
We walked into the mall to see Spafford, something I didn't think I'd ever say! We saw a bunch of people headed into the venue at the same time, sporting moe. and dead gear, and I could just tell that it would be a great vibe inside. We wandered down a hallway and opened two huge doors to walk into the room that they were playing in. It was surprisingly nice on the inside. It was built just this year and had a bar, a bunch of couches on a tiered section of the floor, and a lot of open floor space. We wandered to the front to find some friends that we had seen at the Ithaca show exactly a week ago, and passed the time talking about Spafford, of course! I went around the room and handed out stickers, dishing out the last of the northeast ones since this would be my last show of the tour. Everyone was appreciative of the stickers, and just like at the Ithaca show, I could sense the excitement of everyone seeing Spafford for the first time.
The show started off unexpectedly with a Simon & Lily opener, which was nice to hear live for the first time, and started off the show with a great upbeat vibe. They haven't jammed this one out yet, but I'm just waiting for the day that they do! Once Brian ripped into the opening chords of Galisteo Way, you knew that they meant business tonight. The room had filled in nicely, the floor was populated, there were people lounging in the couches, and there was even a taper there! This Galisteo Way packs a bunch at just over 11 minutes long with a nice jam section, but I may be partial because I love this song.
Mind's Unchained slowed the pace down a little bit and brought out a patient jam with great playing all around and some special sprinkles from Red in-between Brian's licks. This is a song I'll never get tired of hearing. If you're listening to the SBD of this show, listen closely at the end of this track and you'll hear Kyle and I asking the guys if they went shopping today. Brian showed off his brand new shoes and was like "We're at a mall, yeah! I went to a shoe store!" People is one of the Red songs that I love - every time he sings or stands, you know you're in for a treat!
Soul To Squeeze-- I didn't even really know the original song, but I've come to love it after hearing Spafford's version. Brian gave us a quick solo here that shows off his skills on the fretboard. It was a feel-good follow up to the heavy hitting People before, and brought us nicely right into a Windmill set-closer. This song is a masterpiece and had Kyle's parents yelling out with the crowd. One of my favorite Spafford lyrics come from this one - "Through this riff my troubles' lost..." This is one of those moments where you know all of the first-timers just converted to Spaffnerds, and it was a perfect way to close out the set. I actually lost my voice the night before in Portland from yelling so much with an already sore throat but I couldn't help but yell some more tonight and completely destroy it!
Setbreak featured a run-in with mall security and 50 or so people from the show hanging out and smoking outside the mall. The mall property is actually smoke and tobacco free, adding to the weirdness of the venue. We talked to a bunch of people who were amazed at the performance so far. Most people seemed to have never listened to Spafford at all , which definitely makes for a surprise when they actually hear the music and fall in love with it! We walked through a maze of arcade games and bowling lanes to get to the bathroom in the venue, and got back just in time for the set two opener.
The second set intro jam puzzled me for a minute before Jordan sung out the familiar lyrics of Catfish John. Catfish John is one of my favorite songs in general, and the way that Spafford performs it is really something special. I have been geeking out over this one for awhile so it was really great to hear it live and sing along with the crowd to this classic. Cam started to tap out the rhythm of Dream Jam, and I don't think I could have been any more excited. The stage had a bunch of TVs on the wall behind the band, and they had been turned on for the second set, adding to the intensity of the light show and fueling the jam through the crowd's excitement and wonder. This Dream Jam covers some ground in its 10 minutes and was reigned nicely into All My Friends - a fitting song for the experience, which dropped right into Bee Jam as expected. However, this is where the show takes an interesting turn. I'm turning the keys over to @Kyle-Burbank for a little bit to help fully explain the next part of the show...
Flashback 12 or so hours and it's 10 AM at another sketchy rest stop. I'm groggily rolling off of the air mattress and out of the side door of my parents' Honda Pilot. My bare feet hit the wet asphalt and I'm greeted by a mountain of empty Bud Light cans that seem to have accumulated next to my car overnight...I'm not going to miss sleeping at rest stops. It's my last morning on tour and my first time seeing rain all week. Fitting, I guess. Having been raised by a flock of Deadheads I have naturally always dreamed of going on tour. My family had brought me along to shows since a young age and I spent my teenage years fantasizing about life on the road. Well, this time last year I hardly knew the band Spafford. They were just one out of a hundred bands Cody was recommending to me at the time. But this fall, they were the band that finally helped my touring dream become a reality, if only for a little while. I was incredibly blessed with the opportunity to go to a large majority of the Northeast run of this tour-- from Ithaca 10/1 through Albany 10/8.
During this time I was lucky enough to spend a decent amount of time conversing with Spafford, band and crew alike, and had the chance to tell Brian the entire backstory of my tour run. So, after the show in Portland the night before, @jaredsusername and I ran into Jordan and his girlfriend Lizzie outside of the venue and talked for a few minutes. Before long, Brian materialized and said, "Tomorrow night, Albany, that's your last hurrah right? Is there anything in particular you want to hear??" At this point in the week I had heard A LOT of songs, and there was only one thing left that I was still dying to hear. The elusive Alternate Ending. I told him this and admitted that "I knew" we weren't going to get that because they had just played a fire version of Electric Taco Stand > Dis Go In 5? > Electric Taco Stand the night before in Cambridge. He replied, "That probably isn't going to happen. There's like a two percent chance. But hey, there's still that two percent!"
Flash forward to Albany, mid set 2, and we find ourselves amidst a ferocious Bee Jam. I've always loved the intense energy this song carries. Brian shouting at me with his guitar just makes me want to head bang or jump up and down. Spafford is an improvisational monster and in this Bee Jam the monster digs its feet in the sand and rears its ugly head. Starting with a classic funk jam that is mostly lead by Red, it morphs promptly into some deep dark territory. The darkness moves and the tension grows until Brian shreds his way through an aggressive peak. And just like that, they break through the clouds and the light shines through. The key changes and the ever so blissful sounds of Alternate Ending begin to pour into my ears. "I can't believe they're really doing it," I exclaimed aloud to myself! I hugged a stranger. I hugged Cody. I hugged my Mom, who was lucky enough to be experiencing her first Spafford show that night, and she told me, "This is one of those moments you will remember forever." I get the feeling that she was right. Alternate Ending has always evoked an incredible emotional depth in me. Something about that screaming melody takes me to a place that few songs have the ability to take me to.
I think it is important to note that this particular version was the first version played without an accompanying Electric Taco Stand. Brian's beautiful bends had picked us up out of that blissful Alternate Ending and dropped us hard into a super danceable funk groove that I could have sworn was going to be the second half of Electric Taco Stand. But then out of the blue come the fast-paced lyrics of Ain't That Wrong. This was the quintessential type 2 jam of the night. Clocking in at just under 25 minutes, it took us through multiple moving parts with varying keys and time signatures. This roughly half-hour segment was the ultimate display of Spafford's improvisational abilities. Beyond the jam, I love the lyrics in this song: The second set of the last show during my seven-show run ended with the words "Take that home!"
The boys came back out to encore with a classic, super-bluesy rendition of Shake You Loose. This was a good choice to calm everyone down a bit before sending us off into the cool October night. As soon as the show ended, I made sure that Brian heard me thank him for giving me my Alternate Ending. He chuckled a little, held up two fingers like a peace sign, and said, "Two percent."
And with that, the Northeast run of the Fall 2017 tour was over as quickly as it had came. These shows represent Cam's first proper tour with the band, and if the performances indicate anything, we have a long and bright future as Spaffnerds. With that being said, head over to This Thread to vote for best jam of the fall tour.