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Goose opened for 7 shows on Spafford's "For Amusement Only" tour and I'm sure I'm not the only one who was thoroughly impressed by what I saw. These guys are definitely in the "One To Watch" category and we hope to see them getting more tour dates. We can help by taking the time to listen to them and check out their shows. Here's some stuff to get you started:

Goose - Arcadia - Pittsburgh, PA – 08:21
— Goose

About The Band Goose
Goose is a Funk-Folk band based out of Norwalk, Connecticut.

Rick Mitarotonda is the guitarist-singer-songwriter whose folky, hummable melodies are supported by Peter Anspach on guitar/keys, and a deep-pocket rhythm section of Trevor Weekz on Bass, Ben Atkind on drums, and Aaron Hagele on percussion. The band’s music is both memorable and danceable; an organic and easy-to-love mix of funk and contemporary folk, with touches of reggae, jazz, blues, and rock.

Moon Cabin - Goose's Debut Album
Tracked in a snowbound lakeside New Hampshire cabin, with mixing and mastering at the Factory Underground in Norwalk, CT, Goose’s debut album ‘Moon Cabin’ was released in early 2016. Moon Cabin traverses diverse musical terrain with 3 part harmony vocals and hooks so big you can hang your hat on them; funky improvised solos and adventurous musical interludes. With a second album on the way and tour dates continuing to ramp up, the Goose is getting loose.

Check out Moon Cabin on Spotify here

Tour Dates and More
You can find out more about Goose by visiting their website: http://www.gooseband.us/

You'll find tickets, tour dates, and all kinds of other media. They've got shows coming up in the next few weeks in KY, IN, CO, PA, NY, CT, and VA, definitely check out these upcoming dates:

2/2 - Octave - Covington, KY
2/3 - Lamasco - Evansville, IN
2/6 - Lazy Dog - Boulder, CO
2/7 - Hodi's Half Note - Fort Collins, CO
2/8 - Globe Hall - Denver, CO
...and more

Sit In With Spafford
In case you missed it Aaron Hagele sat in with Spafford on a number of songs during their opening run. Also, check out this video of Rick Mitarotonda's sit in on Slip And Squander from 1/20/18 in Lancaster, PA:

Spafford w/ Rick - Slip & Squander – 10:01
— Goose

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Bullet music has interviewed the band prior to the ATL show from last week. The cool thing is that they recorded the audio and made it available on their soundcloud. You can find it linked in the article written by Garrison Pitts:

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Our very own @jaredsusername has started a gear blog. He's got some great interviews and gear breakdowns with guys from Aqueos, Dopapod, Mungion, and more. Specifically, he sat down with Jordan to get us the low down on the bass man's rig. Check it out here:


This, of course, is a natural segue from the work Jared did a few months back:


@jaredsusername... you're killing it.

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Setlist, Attendance, and Recordings for: 2018-01-17 - Mr. Smal's Theater - Pittsburgh, PA


I will start this review by saying that I have not had this much fun introducing people to a band since I was begging my Dead Head friends to join me for Phish shows back in the early 90’s. The sheer joy I get from watching someone experience this band live for the first time is unparalleled.

I spent the day travelling across the great Commonwealth of Pennsylvania and met two of my friends in the ‘Burgh. Neither of these long time musical adventuring cohorts had ever seen Spafford play live and I was thrilled to be a part of the experience with them.

Arriving at the venue, the size of the building struck me and I was getting more and more excited as we made our way through the frigged winter air… Up the stairs and into a massive, beautiful room! Mr. Smalls is a converted 1800’s church. The ceilings are high and with a capacity of around 800, there was plenty of space. Being a Wednesday show, I was anticipating a smaller show but the crowd filled out nicely as we got closer and closer to the zero hour.

We only caught the final pieces of opener, Goose’s set but it was enough to tell that the room was built for acoustics. This room sounded GOOD! Add to that the high ceilings and big, deep stage and we had a sure bet recipe for a real good time!

The room was filling up as the band came out to open the show. We made our way up to Red’s side and got a real sweet spot that sounded and looked perfect.

Slip and Squander was a beefy choice for an opener and Red really opened up on this one. As he wove his way through the opening sequence, it was INSTANTLY clear that the band planned on having fun tonight! Right away Brian became animated, bouncing his way through the jam… his energy was contagious. I looked around the room behind me and could tell that the audience was fully prepared to jump in the deep end with the band right out of the gates!

Ain’t That Wrong rocked HARD from start to finish. Cam set the groove perfectly and the band absolutely smashed it. Vocals were clear and tight and again, the band was all smiles and high energy throughout. It was about midway through this one that I turned around to see my buddies faces held wide-eyed and in complete amazement. As I panned the audience, I saw this look on many of the faces in the crowd.


As Red pounded out the opening to Todd’s Tots, the crowd (myself included) lit up and started shaking and swaying to what is always a fan favorite. Brian’s guitar work was perfect! Red left spaces and Brian filled them up with sweet, gooey playing as the two traded the spotlight.

It didn’t take long for the Pittsburgh crowd to take notice of what would be the first cover of the night. The band introduced Aaron Hagele, percussionist for opening band, [Goose](http://www.gooseband.us/[link text](link url)) as a guest for the tune. The opening jam of Longview was sweet and soft but gave enough indication that even those new to Spafford instantly recognized the tune. The place went OFF at the first big hit and continued to rage throughout the face melting jam that ensued. The lights took on a life of their own and they accented every peak and valley of this super fun tune. During the deep, spacey jam, Jordan took to dropping a few well placed bass bombs that really shook us deep!

All In? YUP! I love the energy of this tune. There is zero hesitation when they really nail it, it jams start to finish on a good night and this is a GOOD night! The crowd was fully engaged and the musical energy was oozing from the stage. I love seeing this as a first set closer. So much fun! The whole band killed it and even though I was Red side, I couldn’t help but notice how well Jordan and Cam were putting it down. Red and Brian traded licks seamlessly and were visibly enjoying every second of it!

That was it for Set 1…powerful and rocking, it left me a sweaty, beaten mess. We RAGED that first set open to close and the place was on fire as the crowd took some time to collect themselves. I had a chance to speak to many Nerds and I got the sense that many in the crowd had just experienced the full force of a new passion griping them tightly. So so many first timers that I talked with and all were blown away. My two companions were completely sold from the first note. No strangers to the scene, both commented on the technical prowess of the band, the musicianship, and the way they connect on the jams. And OMG! The lights! This room was incredible and sounded amazing but the LIGHTS! They lit that old church up magnificently and added greatly to the first set experience.

And now, on to the second set. I am not even sure that I can do this experience justice with pen and paper, but I will try. I was expecting a pretty standard second set without too many segues, as the first set had contained none. Boy was I wrong! NOTHING standard about it and one big sequence without a pause…absolutely incredible. Set break was only about 10 minutes long and when the opening notes of Weasel started, the flood gates opened, and the floor was an instant ball of energy. EVERYONE was moving and this old church was getting HOT! They took the jam in completely new directions and seamlessly transitioned into All My Friends. WHAT?!? Weasel into All My Friends?!? What is happening here? Are we being set up for a second set that could contend with the legends?

Yup…we were! AMF continued to build the energy in the room even though it was a short tease of the tune and I am pretty sure that I heard a collective gasp as it became clear that the band was on a mission. I have heard All My Friends>Bee Jam before (most recently over the New Year’s run). I am a big fan of this little match up. I think the songs play very well to each other and this pairing did not disappoint. I suggest tuning your ear to Red and hearing the ridiculous playing he does in this space. The transition back into Weasel was pure madness…smiles were everywhere but none brighter than those on the stage. The band was happy….like the REAL kind of happy. They had just sealed the deal for a room full of willing souls…Pittsburgh has seen the light and the light is filled with tasty jams.


The band returned for one more and the choice of My Sisters and Brothers made me so happy. I am always a fan of Red singing us on our way, and he crushes this song. Jordan and Cam were extra tight on this send off and Brian filled each gap with perfect tone.

This show had it all…complete rockers, soulful jams, and funky dance beats. I enjoy every Spafford show I see and this one was exceptionally good. My friends lost their minds and are All In and we all had a great time in what turned out to be a dance battle with about 300 of my closest friends!

Till next time… Keep killing it!


**All photos credited to Pat Bruener via showtheshow.com

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I'll try not to, but according to co-workers, I tend to ramble when I email so..

TL;DR: Spafford Fucks. Lancaster Sucks. I'm the King. Spafford wants to take my mom out?

Anyway, Let's get started.

David Goes to Lancaster
"What the fuck? What is this place? Where are all the buildings? What's that sickly orange glow in the sky? Jesus, is that a horse and buggy? What year is this? What am I doing with my life?” I think as I stand outside that station, surrounded by nothing, waiting on my buddy to pick me up. My last show was the BK Bowl so this is quite the change. It's a friend's 30th Birthday so I get to party a bit there before grabbing my Uber over to the show.

The Venue:
I'll complain about this first. Security was uptight just yelling about getting us in when no one was even rushing or anything. I thought sound was good (I saw some complaints) but the layout was tough with a sold-out show. Pretty much had to choose getting drinks or seeing the stage which is a bummer. Lots of talkers, which I don't usually mind as I can tune them out easily, but this was another level. I find it hard to believe that Lancaster has more ChadBroWookButtheads than Philly or NYC but, well, they sure showed me.

Alright, now for the good stuff...


Set 1

All In: Really enjoy this song and this version had a really nice jam. I haven't gone too far down the All In hole to rank it anywhere but it was a ton of fun and some fat bass from Jordan is a great way to start a show and get you moving.

It's a Bunch > On Fire: some fiery guitar work by Brian before a nice mellow building jam and, if you weren't already in party mode, by the time you even realized they slipped into On Fire you were full on grooving hoping your shoes were still on (they were, don't worry.)

Todd's Tots: Not much to say about this. Great playing and great version. Again, one I love but I still haven't taken the time to seek out the best of the best versions.

Radio: Digging this new one but it really gave the chompers their chance to shine. I had to ask Chad Wookington in front of me not to swing his hoodie around in the air since it was hitting people behind him in the face (this came up a few times). Kinda bummed the sing for me at the show but hearing it on the AUD it was a nice calm before the storm that was coming.

Leave the Light On: Highlight of the first set for me. One of the first Spafford songs I started getting into and this was a solid version. Great tight first jam and then it opens and goes big enough during the second jam that even the Chattiest of Kathy’s start grooving. Definitely gonna be listening to this a lot more.

Slip and Squander: Rick Mitarotonda from Goose (Their set was really a lot of fun, definitely a good choice to open. I'll be checking them out more soon I hope) sat in and was awesome. I already love the song and Rick and Brian played off each other great for a pretty sick version to end the set.

How pumped am I right now between 1-10: Probably about 7. Venue kinda eats it and it's a fight to get up closer to see better. But that was a great first set and I'm ready to keep moving.

Set 2 - This was pure rocket fuel that starts sweetly with a Happy birthday to JP as I walk out of the bathroom.

Now, maybe you already saw my post on FB about it, but I had mentioned a few days before how I'd love for them to mix up the sandwiches to keep us guessing. Now, I had completely forgotten about that post until like mid-second set
Shout out to DannSnack Williams too if you're on the site...cool name, man

Electric Taco Stand: I'm already a big fan of ETS so hearing “Let's Get Funky” as they drop into it raised my pumped meter up a bit. Really nice jam that builds and smooths a bit before Cam starts adding some Weasel-esque edrums as they wind down the jam into a mellow groove

Palisades: Definitely wasn’t expecting this but love the song and havent heard it live since my first show at American Beauty (RIP) and that show is ..hazy to say the least. Really happy to hear this. Seems a little rushed but I really dig it.


Electric Taco Stand: They stopped on a dime and Brian dropped into a sick little groove with Jordan, Cam, and Red hopping right back in with him after a few seconds and the four of them bring it to a fun peak back into the lyrics. It was at this point that Chad Wookington had to be asked again to stop whipping his hoodie around in the air...I'm glad he's as pumped as I am about the music but don't hit us with your stink hoodie, bro. The outro jam may have been one of my favorites of the night, but I’m a sucker for that kind of slow bliss jam that builds and that's exactly what they did. Once that jam peaked they quickly dropped into another, more dance-y groove before switching gears.

Pumped Meter: about a 8-8.5. As Palisades dropped back into ETS I started thinking about that comment I made about the switched sandwiches but that ETS outtro had me forget all about it until...

Weasel: Funky groove drops hard into the Weasel intro and I start getting amped and now the first thing on my mind is how rad it would be if they played the set I said but figured it wasn't likely. First Weasel jam floats nicely for a bit, I really love the effect Red uses on the keys here. Not sure what it actually is but it reminds me of the reverse effect my delay pedal has. I hear it in a lot of jams and I'm really liking it. The jam winds down a bit and then I hear it:

Pumped Meter: 10

Alternate Ending: They maybe got like three or four beats into this before I lit up like the Griswald's house in Christmas Vacation. I couldn't hear it much on the AUD but maybe the SBD picked up my out of control OWWWEEE at the start as it became clear to me that they're playing what I said. Definitely one of my favorites (those blissy jams tho) and that peak is always just perfect. A few more Dave OWWWWEEEE’s at peaks to finish it out for good measure.

Pumped Meter: I don't know, some number I can't count to...like 14? 15?

Weasel: The transition back is quick but smooth as Cam eased back into the weasel groove leading to a great little jam that got Chad Wookington to spin Mrs. Wookington just a bit too fast and she fell down a few times as Chad let us all know that she's fine while proceeding to not help her get up.

At this point, I'm so jacked up and excited that drugs might as well have been taking me. Many people start to head towards the bar before encore and I use this time to get further up front finally. Being the Chameleon Club (with the Lizard Lounge next door) I was really expecting a Salamander encore but, no, they continued to keep me on my toes.

Take Your Mama: Fun little Scissor Sister cover I first heard them do at the Fillmore in Philly last Fall. Lots of fun and in my excitement started thinking to myself “so they played something I said...then played Take Your Mama...is this Spafford hitting on my mom? Tour ends in Florida...my mom lives there.


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Now, wheher or not someone with the band saw my comment and they decided to try it or it was just a sweet coincidence, I choose to believe that it was for me and I could not have loved it more. So you're all welcome. See everyone in Asbury!

Update! Asbury fucking ruled and no problems with anyone talking ...shit was rad. I need more.

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