NERDS! Today is the day. Six months in the making and we can finally say that the Spaffnerds have stats! We've launched 3 new features today that will enrich your user experience:
New Spaffbase Homepage
I've been asked a bunch if there was an easy way to get to the setlist/recordings for the "latest" show. Well the wait is over. Simply go to https://spaffnerds.com/ and you'll see the setlist from the last show along with any recordings and attendance. We've also added a couple of links that will get you quickly into all shows with recordings as well as song stats. Wait... what? Song stats???
Yeah, that's right... I said it... We now have stats for songs. You can check out play frequency, gaps, first time played, last time played, and a more robust presentation of song history! You can see it by heading into the songs section and clicking on any song. Go!
BOOM! It's here. You've added the shows you've been to, now we can tell you about what you've seen. Head over to your user profile on the forum and click the "Spaffbase Stats" button. That will take you over to the spaffbase and show you your stats. You can also view other people's stats by clicking through the user section of the forum, going to their profile, and then clicking the "Spaffbase Stats" button.
nugs.net Subscription Giveaway
It's back! We're doing it again. We've got a 3 month nugs subscription to give away. Here's all you have to do:
- Go to one either Twitter or Facebook and follow/like our account/page. We use these to let you know about recording announcements and other good stuff that we do here. We really try to keep posting to only stuff that will give you value. So subscribe
- After you've subscribed to one (or both) come back here and reply to this topic. You can reply and just say you're in, but it would be a lot cooler if you took something from your stats, or one of the song stats, and posted that. There's some interesting things out there, so spread the word.
- We will draw next Saturday, 11/17 at 11 AM AZ time.
So... yeah! Happy Saturday. Have fun at the VIP show tonight. Share your stats!
NOTE: THE TIME OF THE DRAWING HAS BEEN UPDATED TO BE EARLIER SO THAT I CAN LEAVE FOR FLAGSTAFF! I'LL SEE YOU THERE!!!
My good friend, Lance, and I both got off work early on this beautiful day so we met at his place for a 90 Minute IPA and then arrived at The Mercy Lounge around 4:00. We circled the lot next to the venue in search of parking and saw the band's bus already there. I spotted Brian and Red heading to the venue from the bus and really wanted to "fanboy" out by yelling their names from the car but I stopped myself. This was the right decision.
We parked across 8th Avenue and wandered over to The Flying Saucer for a couple beers. It was a bit of a walk as I am currently in a walking boot from a terrible ankle sprain I suffered nearly two months ago but no big deal. If you ever have time to kill in Nashville, The Flying Saucer is a good bet with over 80 taps. From there we met up with some other friends at The Pub Nashville and enjoyed a light meal of Irish staples and a couple more drinks. Then on to the show!
I had won a couple guest list spots and gave them to my good friends, Chig and Gretchen, as payback for my miracle ticket to Night 2 of Phish 2016 in Nashville. Also, they had maybe heard about 30 minutes of Spafford prior to the show and I knew they would love it. All in, I convinced seven friends with minimal Spafford experience to come to the show. We hung outside the venue on the "smoking porch" while waiting for the show to start. I spotted Red and his wife out there but didn't want to cause a scene so just creepily glanced their way occasionally before I wandered back inside.
Southern Avenue was a pleasant surprise. Their lead vocalist can wail. She and the drummer have a beautiful harmony. I wonder if they are sisters. They have a bluesy soul sound that fit my mood very well to start the evening.
I have been listening to Spafford for just over a year now but this was my first time seeing them in action. My expectations were very high because I know what they are capable of and wanted my friends to be impressed. All expectations were exceeded.
Set I: My Road (My Road), Todd's Tots, Ain't That Wrong, Simon & Lily, Mad World, The Postman
My Road (My Road):
First time I've heard this song as it was just debuted a couple shows prior. Cool, fat bass riff leads the way. Red's soulful vocals are a good start to the show. It wasn't very memorable but my first Spafford show was under way.
Now we're cooking. I love this song. I have 2 daughters (Cassidy MaeRose, 8 and Stella BlueLily, 4) so I can easily identify with the brief lyrics. The quiet, contemplative jam in this song is one of the things I love about Spafford. Such a patient build so early in the show is a sign of great things to come on this night.
Ain't That Wrong:
Two of my friends, at different times during Ain't That Wrong, came to me and said they were hooked. We are only 3 songs in. I love that feeling. I introduced one of those friends to Phish 17 years ago and he then accompanied me to Big Cypress. Watching someone's face melt for the first time is a very beautiful thing. Ain't That Wrong is one of my favorites. Love the funky high energy blues rock.
Simon and Lily:
I honestly missed this one and was shocked to see it on the setlist before I went to bed after the show. No recollection whatsoever that it was played. Not a knock on the song. I like this song. Maybe I blacked out for a minute. Honestly not sure what happened but my brain must've had to reboot after Ain't That Wrong or something.
All of my friend's eyes lit up when they recognized this one. Big grins. They were all very shocked and then getting down. This was the highlight of the night for a few of them. Good, long, electronic jam. This jam hooked those in my group that hadn't already melted after Ain't That Wrong.
What a set closer! This is another personal favorite of mine. I remember another patient build to that magical release. Spafford is so fucking good at the tension and release jamming. Wish I could give specifics but the recording will eventually surface to remind me. I just remember being very happy with this one and feeling it was a perfect set closer.
Set II: It's a Bunch > On Fire > Leave The Light On, In The Eyes Of Thieves, The Fireman
Leave The Light On:
JAM OF THE NIGHT! I'm not sure how long LTLO was but they kept layering and building the jam only to let it slowly unravel so they could patiently build it again. Several times this occurred. At one point, I thought we were headed into Catfish John and a buddy told me it sounded like Fire on the Mountain. A lot of that was just the effect Brian was using. That sort of Autowah/MuTron thing. His playing really did sound very Garcia-esque during parts of this jam though. Again, can't wait to hear the recording.
In the Eyes of Thieves:
Perfect next song. More patient tension and release funky ass jamming.
Kind of left scratching my head on this one. Seemed like an afterthought. This was very short and an abrupt ending to an amazing second set.
E: Beautiful Day > Salamander Song
Red came out, by himself, to start the encore with a beautiful piano solo. The audience was not attentive. Lots of loud talking and yelling. Several people trying to shhhh the crowd. One of the friends I brought to the show bellowed over the crowd: "That means shut the fuck up!" I wanted to give him a big hug. Red sure is swell. He has such beautiful taste in the notes he chooses to play. The rest of the band slowly came back on stage and we were treated to the perfect encore for this day. Red had the aural stage to himself to close the song and the rest of the band just watched him play. As it wound down, I noticed Brian and Jordan tuning so knew we were gonna get another song. My soul knew exactly what that song was gonna be. And then.....
Yep. Could not have asked for a better encore. The Nashville crowd doesn't understand when to "Hey!" but that's ok. Most of them had never heard Salamander before let alone heard Spafford before. We danced the whole way home for sure.
Personal highlight for me. While waiting for my friends to close out their tabs at the bar, I spotted Red and his wife heading for the stairs to leave. I quickly approached him, shook his hand, and thanked him for a great show. As I mentioned before, I'm not one to generally do something like this but I would've regretted not taking advantage of the opportunity. Wish I could've said hello to the rest of the members. Maybe next time!
Big thanks to Spafford for coming to Nashville. Hope they make us a regular tour stop because I'll go every time. Nerd for life.
~ Elliot Smith (@BushCow)
Special thanks to Jared Harvey for contributing some of the photos
I couldn't have pictured a better fall evening to make the drive from Milwaukee to Madison. I packed the car with three good friends and my wife and we were on our way to catch our favorite band.
I had a feeling something special was in store for us on this night, the last Madison stop was one of my favorite shows to date (and sadly there is no recording of it). One of the things about tonight that was awesome is that there were a lot of other people I knew who had made the short trek from Milwaukee to Madison as well. Little did these folks know there were about to have their socks thoroughly rocked.
The opening Slip and Squander was the perfect way to open this night. This is without a doubt my favorite Spafford song (even before I learned that Chuck had written it). Red signing Chuck's poetic words, Brian's soaring guitars, this truly is quintessential Spafford to me, it is a complete work by everyone involved. It was a very well-played version, it’s not the type of song that needs type II treatment, and had musical goosebumps crawling over me.
Following Slip and Squander the crowd was treated to Seven. While not necessarily the biggest bust out of the night this marked its 10th time played overall. It’s still a rarity considering this is one of the oldest songs to date making its appearance on their self-titled album. The jam section of the song was pretty rocking and overall a very welcome addition to the setlist.
Next up was the jam vehicle All In. This definitely got the room moving and grooving. You could see the majority of the crowd belting out the lyrics along with Jordan. The second half of the song brought a particularly intense jam and let Brian really show off his chops. Needless to say faces were definitely melted by this one.
As the next song started [My Road (My Road)], I was a bit puzzled. I didn't recognize the song at all. I'm really pretty familiar with their original's catalog and am usually able to pick up on cover songs, yet I still couldn't tell right away. Jordan started with a nice bass line with Brian adding an uplifting melody while Red began to chime in on vocals. After a few measures, it had started to dawn on me, this was a new song and if I was going to guess, it was penned by Chuck. Let me just say this was by far the highlight for me on this night. One thing I had said on the drive to Ann Arbor over the weekend was I hope to hear something I have yet to hear live and boy did this deliver. This song really has it all and I don't want to go into much detail so fellow nerds can experience it for themselves, but I could definitely see this one becoming my favorite Spafford song.
To close the set came another fan favorite, Walls. I thoroughly enjoyed this version as the jam before the drop into one of the final verses was really satisfying. With being in the capitol city for Wisconsin, I was hoping to get the original lyrics back but alas, we are all still chasing that! It didn't get quite as out there as some other versions of the song have but it was a perfect way to go into set break.
There wasn't a whole lot of commotion at set break. I held down my spot directly in the center of the room in front of the soundboard and slightly above the pit area. One great thing about this spot is the visibility and sight lines, I swear Brian was watching me for a majority of the show. I had several people come up to me discussing how Spafford has "it" and that they will most definitely be the next big thing.
As the lights dimmed and the band took the stage the opening notes of Windmill rang out. This was an awesome treat for the wife and I. She's only heard the song once before at the Tonic Room so it wasn't an ideal experience. As for myself it brought me back to my first Spafford show out in Colorado in December of 2015. It was also only the third time I've heard it so I was pretty happy to see it after nearly a year and almost a dozen shows. This song never disappoints, a notable pause before giving into the almost Pink Floyd like second half. Definitely another highlight of the night.
The next segment began with Aeroplane. This launched the crowd into a full-fledged singing and dancing frenzy. Jordan absolutely crushes this song on both his bass and the vocals and this time was no different. This was a pleasure for me as it added to my list of songs I hadn't seen live yet. This Aeroplane never stopped and segued beautifully into Alternate Ending, or in this case Alternate Beginning.
This marks only the second time ever that Alternate Ending had been played outside of an Electric Taco Stand sandwich and was truly an epic version. Throughout the night I had noticed the chompers were out in full effect at some points almost becoming unbearable to the point I had a hard time focusing on the music. The Alternate Ending changed that, it took the crowd into outer space and left the room silent. It really was a sight to behold.
Coming out of Alternate Ending I could hear the peak to Electric Taco Stand coming on strong. I turned to my wife and remarked that this could be the closest we've gotten to an inverted ETS yet. The peak came on strong and it was pretty awesome because right at the top of said peak, Brian brought it back to the beginning with the opening chords of ETS. This ETS was really quite cool just for the fact that it followed Alternate Ending and to me, seemed inverted. The Ann Arbor ETS was one of my favorites to date and this one definitely rivaled that.
The segue out of ETS was really fun and I thought I could hear Jordan starting to give way to the beginning of The Reprise. This song is always a fun set closer because Brian really goes balls-to-the-walls on the final section, very much like the ending of All In. You could tell the crowd was eating it up and more than happy to be dancing the night away.
As the band walked off stage I was wondering what could they really add to take this night over the top. My question would be answered with probably the biggest bust out of the night, Crazy. This is an old Spafford song making its debut on their self-titled album alongside Seven. This marks the sixth time that Crazy has been played since 2012 making it extra special. Belting out the lyrics to this one many times in my car alone, I was happy to finally be belting them out alongside fellow nerds. I couldn't have pictured a more perfect ending to the evening.
After the show we made our way out by the bus to greet the guys. They welcomed us with open arms and I got to catch up a bit with Red and Brian since I didn't get to see much of them in Ann Arbor. I got to tell them how much I enjoyed the new song, Red confirmed my suspicions that it was indeed one of Chuck's poems and that they were still trying to pick a name but had most likely landed on My Road (My Road). After a bit more chatter, we said our goodbyes and wandered back to the car to make the trek home, hearts and heads full of the beautiful music of one of our favorite bands.
It's been an absolute blast getting to know the guys and their crew over the last two years and watching just how far they've come since the first time I saw them at a little bar in Colorado. I am lucky to have found one of my favorite fanbases of all time among you, my fellow nerds!
*A huge THANK YOU to Madleen Alsabbah of Coastykid Captures for the AMAZING photos!
Driving into Michigan it is apparent that the State makes a point of not spoiling the sheer beauty of its natural surroundings. It was “Pure Michigan” indeed as the mid-October fall colors were on full display! My wife and I were in awe as mile after mile of reds, yellows, and oranges, streaked passed us welcoming us from the gray cityscape of Chicago all the way into Grand Rapids itself.
Like most of us, half the reason I love traveling to see bands is exploring the cities themselves, and Grand Rapids did NOT disappoint. We checked in to our hotel and immediately took to the streets hoping to find some good food, good beer, and hopefully a few Nerds along the way. Let me tell you, if you’re a fan of the food/drink scenes going on in places like Asheville, NC and Fort Collins, CO… Grand Rapids is for you! This town is absolutely one of the gems of the Midwest! With limited time between arriving and the show itself we decided we would check out Grand Rapids Brewing and Founders Brewing before heading over to the Pyramid Scheme.
At Grand Rapids brewing while enjoying a DELICIOUS barrel-aged golden sour ale called Sur La Lune (v2) we learned that The Pyramid Scheme had AGAIN been voted “best in the west” for music venues by Revue Magazine, a local Michigan publication. As expected, this only added to our anticipation of what was to come later. Between the quality of the food, incredible beers, and hospitality of the staff, we could have stayed at GR Brewing all night and had a blast, but tonight there was only one goal. So off we went, but not before sharing some “I’m Killing It” stickers with the staff and ensuring one made it on their fridge!
It’s immediately apparent why Founders has a reputation as a “must see” brewery. From the stage that uses their brewing facility as a backdrop, to the beer list that screams “you’ll never leave”, this place was flat out awesome! I can tell why Founder’s Fest is getting the buzz it is in the Midwest and I won’t be missing it in 2018 (cough SPAFFORD cough). Still feeling the pull of the approaching show I decided to scan the beer list and just randomly pick whatever spoke out to me… and lo and behold what do I see? RED’S Rye IPA. Red’s NEVER let me down before… and this day was no different! Several tastings and another pint later I could tell it was time to either get to the venue or reserve a cot behind the bar. So after sharing more stickers, including one for their fridge too, we headed off towards our ultimate goal.
After a short ride in the most Michigan Uber ever, a Dodge Ram quad cab, we arrived at The Pyramid Scheme. I noticed someone exiting the bar as we were walking in so I held the door open and it turned out to be Brian Moss. We got to shake his hand and share how excited we were for the show… a GREAT way to arrive! The Pyramid Scheme is a pretty small bar packed with awesome pinball machine classics like KISS, ROBOCOP, JURASSIC PARK, and more. So after a short trip through my childhood we decided to be the first in line for doors. Jon Rose was releasing the V3 Fall Tour print this night and I NEEDED that in my life. As usual the print was even better in person and #02/75 will soon be on my wall! Shout out to my wife Sam for keeping track of it all show while I danced like a fool!
Now any review of this show MUST start with Hayley Jane and the Primates! Any time a band comes out and the lead singer steps past her mic to high-five us for showing up early, they deserve some love! That kind of energy would be a theme throughout their set. From Hayley’s smile that seemed to stretch from one side of the stage to the other, to her running in place for what seemed like an entire song (while singing!?), to Moss coming out to jam with the band for their closer, this set loosened the crowd up just right! If you have a chance to see these guys play I’d highly recommend it. I thoroughly enjoyed their set!
It was finally time for what we all came for. As Spafford took the stage the giddy anticipation I’d had all day was now at it’s highest point. A “FUCK YEAH SPAFFORD!” rang out from the back of the venue and I couldn’t have agreed more, I just can’t see these guys enough right now!
The synth-y tones of Red’s keys broke the silence starting the always groovy In the Eyes of Thieves. Even though the entire crowd was to my back I felt everyone settle in right along with Jordan’s groove. Moss and Cam worked together perfectly throughout an uplifting peak which lead to all four of the guys coming together in one glorious blend. As the song ended Moss hopped around in the sort of “boxer warm-up” hops he does from time to time, and I for one love seeing this. It always makes me feel as though he’s ready to go 12 rounds, just as we are in the crowd!
Next the crowd let out a roar as the first notes of The Remedy filled the air. The hard times certainly were letting go as the crowd was really feeling it and the energy was starting to build throughout the room. This wasn’t lost on the band either as evidenced by the smiles on their faces.
The best jam bands know exactly when to chill their crowds out and Spafford is no exception. The timing for Sweet was perfect! As Moss serenaded us I looked around the crowd and was greeted with smile after smile as love seemed to pulse through the entire room. Even though this is a cover it’s one of my favorite songs they play, the hall IS clear and the music’s LOUD!
The smiles continued as Jordan took the lead for Catfish John next. This song is always a great time and it’s made even better when Spafford adds their distinct touches to it.
Now that we’d had our fun the crowd was ready to get rowdy, and Ain’t That Wrong was happy to oblige! This is where the band really started to hit their stride, with Moss’ guitar absolutely soaring throughout the room. The crowd was really moving now and it was evident that the band was feeding on this energy!
Set 1 closed out with People which contains some of my favorite lyrics in the entire Spafford library. I’m also a sucker for anything Red sings! As someone who’s first show was also Cam’s first show with the band (https://spaffnerds.com/shows/2017-05-25) I was a fan of his from the start. During People, and really all set long, it has been apparent that he’s more comfortable as a member of the band and now confidently taking the driver’s seat at times. His skills are really starting to shine and I can’t wait to see where he goes from here. The band left to a deafening roar from the crowd as everyone tried to absorb what we had just heard.
As the band came back out for their second set Moss’ sinister smile told us all we needed to know about what was to come. The set opened with Palisades > Weasel which was a nice little twist on the more common Weasel>Palisades>Weasel. Again Cam was on point changing tempo during a long seamless transition into the almost 90’s alternative riffs of Weasel. I felt sorry for anyone within 6 feet of me, I’m not the most graceful dancer and this one made me throw caution to the wind!
A dark psychedelic jam out of Weasel switched gears and gave way to Red’s voice perfectly soaring through another favorite cover, Standing Outside a Broken Phone Booth With Money in My Hand. Matched with Jordan’s on-point crooning, I honestly prefer their version to the original. It’ll break your heart in the best way possible.
Now Moss took over for another deserved fan favorite, Mind’s Unchained. I just love the opening lick to this song with Moss and Red playing around each other to create a really fun open. Another slow build led to a soaring Moss solo. In my opinion he’s as precise as any guitar player out there right now yet at times he makes it look entirely effortless. It’s almost a drawback... almost.
Yet another smooth transition led to what I consider the highlight of the set, as Jordan’s groove signaled the start of It’s a Bunch. You know those moments at a show where the crowd couldn’t possibly be dancing any harder? That was now, as this two-faced monster of an IAB played between sheer beauty and Moss absolutely shredding the jam throughout. Now I’m not one to compare bands to each other, I prefer to avoid it honestly, but at some point someone behind me yelled out “That’s some Umphrey’s $h&% right there!” While I’d contend that that’s some Spafford $h&% right there, this WAS the heaviest It’s a Bunch I’ve ever heard and I loved every second of it. Oh, and \mm/
I knew we had to be approaching the end of the set and as IAB perfectly gave way to Leave the Light On it was absolute LIFTOFF! The guys couldn’t help but smile at the HUGE crowd response to the first notes of the song. This was the song that started my love of Spafford and it NEVER disappoints, especially to end a set. The energy in the crowd carried through both jams and as the song ended the guys again walked off the stage to a roar that sounded as if it belonged to crowd triple the size it was.
After only a brief moment off stage the guys came back out for the encore. From the moment I got to know this song I’ve felt it would be a perfect stand along encore, and that’s been at the top of my Spafford “chasing” list ever since. So predictably I lost it when Salamander Song started. The happy melody and fun lyrics were made even better when (most of) the crowd got their “HEY!” part right (It’s with the band guys, not in response to the band). I finally got to finish a Spafford show “dancing the whole way home” which is exactly what my wife and I did…
As short as it was, this was an amazing day and one of my favorite shows ever. There’s just something about Spafford right now that makes me happy to my core. Until next time!
This review is brought to you by @Steph-Schuler, @shouseholder, and me. Prior to the show, the salivating fans that made it early were blessed with some holy bread from a triumvirate of bakers. Some people nibbled, some took full bites, others cowered in fear!
The gaggle of 'nerds that got the venue early seemed to be oozing with anticipation, us included. It was enjoyable to hear where everyone had come from, when they learned about Spafford, and all those good things. Onto the show!
Southern Avenue were great openers. Two chicks and two dudes from Tennessee that had some solid tunes to get the night started. They had a positive message in their lyrics and the final song had the crowd sing the chorus, "Don't give up!"
Spafford ripped through the jungle, with the crowd singing along immediately, and started the show with The Lions Sleep Tonight. It reminded me of my previous Spafford Halloween in 2015, in terms of Brian's gentle playing and laid back approach. It was clear we were in for some shenanigans. (They also had the lyrics to Crocodile Rock taped to floor, so I figured that was coming at some point.)
Steph lost her shit immediately when Crocodile Rock started. Second song in a row that showed signs that the crowd, although a little chatty, was engaged during the "laaaaaa la la la" part. I never knew me a better time and I guess I never will. laaaaaaaaaaaa la la la. Shea's face also showed signs of melting. This song went over really well with the crowd.
The proceeding Lion Sleeps tonight jam brought big smiles to Brian as the crowd kept immediately singing along. Around the four minute mark of the AUD, Red adds some great texture. We got our first peak of the night which resulted in a ceremonious crowd roar.
The band finally shifted into some familiar territory and we get to spin around on a Windmill jam before the song proper begins. Very smooth Lion Sleeps Tonight tease at the end of Windmill to keep the theme and pump up the crowd. A well-needed short rest between Windmill and People. Mixed-up signals caused the whole band to laugh when Cam started who knows what instead of People (or Pandas for this show). The band and room were heated up significantly at this point, so the baker's coats came off.
Pandas like me and you shot a web of smiles throughout the crowd as Red's voice serenaded us for the first time of the night. The band and crowd were clearly having lots of fun already. Pandas took off with a short, but sweet jam. The ending of this song naturally pumped the crowd up and I loved it.
Leave the Light On kicked off with some standard affair and since I was so close, I could see Matisyahu watching from side stage, although as Shea pointed out, I had no idea it was Matisyahu (nor did many others around us who didn't hear his name be announced). Brian and Matisyahu exchanged some words and looks and the beatboxing began. He almost hit vacuum level at one point. Pretty sure Matisyahu called them Strafford...but hot damn, we still had 14 minutes left of LTLO. Post-Matisyahu, the energy in the room POPPED like a bomb went off. The band and crowd went into a crazed frenzy for a brief moment as we entered back into Lion Sleeps tonight then LTLO proper again. I remember screaming at the top of my lungs but not hearing myself which tells me it wasn't just me feeling it. And with all that, we then get to the LTLO jam that rocketed the crowd to heights unheard.
Space Gadget cooled things off in my mind, but the crowd responded quite well to it. Bear Necessities was super hard for me to hear what the hell they were singing but it was bouncy enough to jump up and down.
Alright wow, that was a lot already and we hadn't even reached Set 2. Woo hoo, some Beck! The Fucking With My Head lyrics were also taped to the floor. Crowd recognized the song proper ended and a few cheers filled the air as the band took set 2 off the ground. Around the seven minute mark we got some fine shredding from Brian and then the band settled into a relaxing gesture, which gave the crowd some time to...chat.
About 50 seconds of the band building tension to segue into In the Eyes of Thieves. Thieves jam built quite nicely two separate times. Around 13 minutes they somehow got a pinch louder to really silence people's thoughts. Again, the crowd was right there at the end of the song to greet the band with a rowdy YES! in the form of all sorts of noises.
During Simon and Lily, there was a brief moment I thought Brian was going to tease Lion Sleeps Tonight, but alas, it didn't fully pan out.
Ahh Weasel!! It started its normal build and Brian perfectly dropped the Lion Sleeps tonight with the band right with him. I got to talk to Brian about this specific moment of the show and his face was glowing with such enthusiasm about it. Great to see that he was as pumped about it as the crowd was. And then he does it again to the crowd's cheering delight. The crowd really enjoyed Brian shredding the end of Weasel. Another huge crowd response. Christ, it's like they've played in NOLA before.
Backdoor Funk had everyone bobbing their heads and as the band was ramping up, someone shot off a few of the confetti poppers, filling the air with more symbols of PARTY. The band didn't disappoint and Brian's fingers somehow didn't burn his strings right off the guitar to hit the crescendo of the song. It should be no surprise that when the band settled back to BDF, the crowd again responded positively and loudly.
Salamander Song is always a welcomed song. More confetti pops or whatever they were in the crowd helps explain the kind of energy that was swirling in the place. Crowd blew the "HEYS" but what can ya do? They were out of this world otherwise.
All In encore? Hello!!! We had 20 minutes to go and the band still had a trick up their sleeve. Again, somehow a crowd that has mainly never seen Spafford live cheers at all the right moments, sensing the band shifting from known to unknown through feeling instead of familiarity. And what's that they are playing? It sounds like something I've heard before but now Spaffordized. Just a great jam? Nope, it's fucking Hakuna Matata! The crowd again sings along, cheers, and generally welcomes everything the band throws at them with open arms.
Spafford, NOLA, Halloween...unforgettable and unique experience.
Shea, Steph and I were sworn to secrecy for all post-show shenanigans so this is where the review will end.